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Always interested in crime and justice, Christopher Nolan’s first film (a whole seven years before he made Batman Begins) is a curious black and white head-scratcher about a writer who, obsessed with following people, subsequently gets caught up in a life of crime.
In this interview, Nolan explains his key to success and ends up revealing many of the DIY filmmaking techniques he used to make Following. |
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Every time I hear Steven Spielberg talk, I look back and everything in my life makes sense to me. If you are a film maker like me, please listen to how Steven Spielberg became a film maker. All that you do will make more sense to you after these 12 and a half minutes.. Mandeep Sodhi |
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Different things inspire us, they inspire us to create, to do and to be. For film makers, the inspiration can come in the form of visuals, music, sound, the feelings they experience or even a sandwich. Here is Christopher Nolan talking about where his inspiration came from and how he used it. |
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A great film begins on a piece of paper. If it gives you a goose-flesh as you read it, it may as well make a great movie (generally talking). But so was the case with Chuck Palahniuk's Fight Club when it was adapted into a screenplay by Jim Ulhs. Jim Uhls is not your average screenwriter. For one thing, his nickname is "Professor Peculiar." For another, as this exclusive off-kilter discussion of his craft demonstrates, Uhls is eager to break the first rule of Fight Club: He talks about Fight Club. A lot. That seminal film, directed by David Fincher (Se7en, Panic Room), pushed every boundary possible for a studio movie, and Uhls' darkly funny script, adapted from the Chuck Palahniuk novel, is a wickedly subversive example of how to successfully adapt an "unadaptable" book.
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